15-19th SEPTEMBER 2021
Henley Festival

Jane Hibbert

Jane Hibbert’s abstract sculptures are strongly influenced by natural rhythms.  They have an organic quality to them; their smoothness and soft curves speak of objects that have been weathered by the elements.  Inspired by a wide range of sources and triggered by concepts that intrigue her.

Working in stone, bronze, ceramics and stone composite, she is respectful of the properties of each material, using her knowledge of their individual features to guide her work.  Jane’s sculptures have a grace and quiet power to them that engages the viewer emotionally, intellectually and aesthetically and it is these combined qualities that makes the work so rewarding.

Jane’s sculptures have a grace and quiet power to them that engages the viewer emotionally, intellectually and aesthetically and it is these combined qualities that makes Jane’s work so rewarding.

Jane graduated in Fine Art with a First Class BA (Hons) degree from Oxford Brookes University; this was her second time at Uni as she previously gained a BA (Hons) degree from Leeds University in Furniture Design.

Based in Berkshire, Jane has successfully exhibited in a number of prestigious events and undertakes private commissions. Her work is held in private collections in London, St Tropez and New York.


FESTIVAL TIPS

ARRIVE EARLY

There’s so much to experience at the Festival it’s worth being ready to go when the gates open at 6pm.

DIG OUT YOUR BEST FROCK

You can never be overdressed at Henley!

FOOD & DRINK

DRINK WITH A VIEW

Head to the Moet Champagne lawn for a glass of fizz and an amazing view of the river.

HUNGRY?

All our non-bookable restaurants are open throughout the evening and are less busy during the floating stage concert.

YOUR VISIT

WHAT SHALL I WEAR?

The Festival has a black tie dress code.

WHAT TIME SHOULD I ARRIVE?

The car park opens at 4pm, Festival gates open at 6pm.

DO I NEED A WRISTBAND?

Wristbands will be given out at the Festival gates upon presentation of a valid ticket.

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